We are thrilled to present the cover and table of contents for the MUSIC issue of FIYAH Literary Magazine.

Cover of FIYAH #7: Music. Artwork by Mariama Alizor
Cover art by Mariama Alizor

Features include:

Yard Dog – a short story by Tade Thompson

Teddy Bump – a short story by Sheree Renée Thomas

And Songs Don’t End – a short story by Osahon Ize-Iyamu

The Percivals: The Bennett Benefit – a short story by Eboni J. Dunbar

Sister Rosetta Tharpe and Memphis Minnie Sing the Stumps Down Good – a novelette by LaShawn M. Wanak

night chimes – a poem by Lisa Allen-Agostini

Ella Hour – a poem by Uche Ogbuji

I Sing the Lady Electric – a poem by Latonya Pennington

 

This issue will be available for individual purchase and accessible to subscribers July 1, 2018.

L.D. Lewis is an award-winning SF/F writer and editor, and publisher at Fireside Fiction. She serves as a founding creator and Project Manager for the World Fantasy Award-winning and Hugo Award-nominated FIYAH Literary Magazine. She also serves as the founding Director of FIYAHCON, Nebula Conference Chair, and pays the bills as the Awards Manager for the Lambda Literary Foundation. She acquires novellas for Tor.com and researches for the LeVar Burton Reads podcast. She frequently bothers the publishing industry by authoring studies about the treatment and experiences of racially/ethnically marginalized authors in speculative literature. She is the author of A Ruin of Shadows (Dancing Star Press, 2018) and her published short fiction and poetry includes appearances in FIYAH, PodCastle, Strange Horizons, Anathema: Spec from the Margins, Lightspeed, and Neon Hemlock, among others. She lives in Georgia, on perpetual deadline, with her coffee habit, two very photogenic kittens, and an impressive Funko Pop! collection. Tweet her @ellethevillain.

One Comment

  1. […] Rosewater, by Tade Thompson (ep. 46), is being released this month. His story “Kaseem’s Way” was featured in Abandon Books’ anthology Creatures: The Legacy of Frankenstein, and his story “Yard Dog” appeared in Fiyah Magazine. […]

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